Family-owned. Founder-led. Creating original musicals for every cast and every stage.
BeXD was founded by husband-and-wife team Will and Katie Toft in 2017.
What began as a local performing arts school in Queensland, Australia, has grown into an international musical theatre licensing company, with productions taking place in schools, community theatres and performing arts organisations around the world.
Unlike many publishers, every BeXD musical is written by us. We develop every story, write every script, compose every score and test every production ourselves before it ever becomes available for licensing. That means every show has been refined in real rehearsal rooms with real students, creative teams and audiences long before it reaches your stage.
That hands-on process shapes everything we create.
As theatre-makers ourselves, we know the challenges that come with staging a musical. Finding enough meaningful roles. Balancing different ages and abilities. Keeping rehearsals organised. Supporting volunteer creative teams with limited time and resources. Choosing material that's engaging for performers and easy to market while remaining practical for schools and community theatres.
Our musicals are written to solve those challenges.
From balanced ensemble casting and flexible vocal keys to detailed production resources and practical rehearsal materials, every decision is made to help directors create productions they're proud of while giving every performer a chance to contribute meaningfully.
Today, BeXD Licensing publishes original musicals and fresh adaptations of public domain classics for schools, youth theatres and community theatre companies across the world. Many of our productions are available in multiple formats, including One-Act, Two-Act and Touring editions, making them suitable for everything from small performing arts studios to large-scale family productions.
Alongside BeXD Licensing, we continue to operate BeXD Create, where we run performing arts programs and produce our own musicals with young performers in Queensland. These productions continue to shape and improve every new show we write, allowing us to keep refining our catalogue through real-world experience rather than simply publishing from behind a desk.
At the heart of everything we do is a belief that musical theatre is about much more than putting on a great show.
It's about building confidence, encouraging creativity, strengthening communities and creating stories that people genuinely love performing and watching.
We're proud to remain a family-owned and founder-operated business, and every production licensed through BeXD is still supported by the people who created it.
Whether you're producing your first school musical or your fiftieth community theatre production, we're here to help make the whole journey as enjoyable as opening night.

Katie Toft is a writer, performer, educator and creative producer, and the co-founder of BeXD.
Katie co-writes BeXD’s musicals, doing the script editing, story development and educational design behind each show. She also leads the development of the rehearsal resources, audition materials and teaching guides included in every Production Pack.
Katie's Musical Theatre credits include Princess Fiona in Shrek the Musical, Scaramouche in We Will Rock You and Kate Monster in Avenue Q.
Katie works closely with teachers and students of BeXD Create as a voice teacher and director, helping young performers build confidence, find their voice and develop a lifelong love of performing.
Katie believes in empowering artists to express themselves authentically rather than trying to shape them into a cookie-cutter version of a “perfect” performer - a philosophy that sits at the heart of the BeXD community.

BeXD Create is a family owned business. We are a small team of musical theatre professionals and educators. We don’t just license these shows - we write them, workshop them with real casts, and build the resources we wish every team could have.
BeXD shows are developed differently.
Every title is tested in real youth productions - with kids who have never done a musical before AND experienced performers - before they are released for licensing. This process helps us refine the shows and the production resources so they genuinely work for directors running community and youth productions.
The result is a catalogue of musicals designed to be:
Cool shows. Flexible casts. Zero stress.
Get in touch to learn more about licensing a show for your theatre, school, or company.